In the near future where humanoid robots are common in society, the mob reprograms a female android to think and feel in order to use it as a contract killer. This has dangerous consequences as she develops a relationship with her creator while also slowly becoming a murderous psychopath.

In a near future, a woman hitchhikes alone in the desert towards the promise of a Utopian dome on the horizon. When she negotiates a ride with strangers, we learn to trust no one on the road to the Neo-Dome.

Like most kids, Ned idolized his father and dreamed of following in his footsteps. Unfortunately, his father was a two-bit crook who spent most of his life in jail. Without a family of his own, Ned falls in with the Aryan Brotherhood. Soon after, Ned is placed in a mental hospital where he is mesmerized by a young black girl who believes Adolf Hitler was reincarnated in her.

Dr. Alvaro Cruz, a neuroscientist, disillusioned by the death of his mother and his inability to help her, finds redemption and reward by helping Una Vida, a jazz singer he discovers performing on the streets of New Orleans. Her health declining and her singing partner and her adopted daughter unable to help, Cruz seeks out her long lost son in an effort to bring resolution to the grief, loss and longing that has overshadowed her hard but beautiful life.

Ultra Q has returned, and continues investigations of monstrous appearances and strange ecological phenomenons.

Neo Magazin Royale is a satirical late night show hosted by Jan Böhmermann.

28岁的男子艾斯特（Sean Kelly 辛恩•凯利 饰）是一名退役军人，某晚他在朋友（Robert Youngs 罗伯特•扬斯 饰）家的派对上举枪自杀身亡，保险公司怀疑事件背后另有隐情，派出特派员（Curtis Wahle & Eric Joseph Porco 饰）调查案件始末。探员得知艾斯特有收藏左轮手枪的爱好，经常利用左轮枪的工作原理玩一种向自己开枪的恶作剧。然所有被调查者都证明艾斯特性格开朗，没有任何自杀的理由。 　　特派员从艾斯特朋友家拿到死者自杀使用的手枪，从中发现其背后隐藏的秘密……

28岁的男子艾斯特（Sean Kelly 辛恩•凯利 饰）是一名退役军人，某晚他在朋友（Robert Youngs 罗伯特•扬斯 饰）家的派对上举枪自杀身亡，保险公司怀疑事件背后另有隐情，派出特派员（Curtis Wahle & Eric Joseph Porco 饰）调查案件始末。探员得知艾斯特有收藏左轮手枪的爱好，经常利用左轮枪的工作原理玩一种向自己开枪的恶作剧。然所有被调查者都证明艾斯特性格开朗，没有任何自杀的理由。 　　特派员从艾斯特朋友家拿到死者自杀使用的手枪，从中发现其背后隐藏的秘密……

Set aboard a houseboat on a fashionable reach of the Thames in 1911, The New Morality tells the story of how the brazen Betty Jones restores dignity to her household and harmony to her marriage, by losing her temper and making a scene. A rising star, Harold Chapin had numerous one-acts and three full-length plays produced before he was killed on the battlefield in 1915 at the age of 29. “When Harold Chapin fell in France the modern British theatre lost a comic writer of high order,” declared the Sunday Times. “For intellectual foolery, his New Morality has no equal in present-day work.” The play was produced five years after his death to great acclaim, and then languished in obscurity for decades until our “lavishly crafted”1 revival introduced New York theatergoers to Chapin’s “unabashed comedy with bite.”2

Set in the Joseon era, an exhilarating legal revenge of a lawyer who avenges the death of his parents by trial begins.